1 World Event During That Time Period Minimalism Art

Minimalist Art, or Minimalism Art, is a visual fine art and design motility focusing on the primary elements of an artwork. Information technology focuses on the occupation of space around the fine art and how it interacts with the viewer and vice versa, leaving out whatsoever unnecessary elements. Minimalism started nigh notably in New York in the early 1960s, a post-World State of war 2 motility, in response to the subjective nature of Abstract Expressionism.

Table of Contents

• 1 An Introduction to Minimalist Art
• 2 The Foundations of Minimalism Art
• 3 Important Concepts in Minimalist Art
  • iii.ane Objective versus Subjective
  • 3.2 Monochromatic Colors
  • 3.iii Geometric Shapes and Forms
  • 3.four Commercial Materials versus Artistic Materials
• 4 Minimalist Fine art Representation in Styles and Media
  • 4.ane Visual Fine art
  • 4.2 Sculpture
  • 4.3 Interior Design
  • 4.4 Installations
  • 4.v Architecture
• v Famous Minimalist Artists
  • five.1 Donald Judd (1928-1994)
  • 5.2 Sol LeWitt (1928-2007)
  • 5.3 Robert Morris (1931-2018)
  • v.4 Dan Flavin (1933-1996)
  • v.5 Carl Andre (1935 to Nowadays)
  • 5.6 Frank Stella (1936 to Nowadays)
• 6 Minimalist Art Beyond the 20th Century
• 7 Frequently Asked Questions
  • 7.one What Is Minimalist Art?
  • vii.2 What Is the Meaning of Minimalism in Fine art?
  • 7.3 What Qualities Define Minimalist Art?

An Introduction to Minimalist Art

The Minimalism Fine art movement includes a diversity of different art modalities like minimalist sculpture, interior design, and of course painting. Information technology started in America in New York during the 1960s and 1970s, when some artists felt that the subjectivity of Abstract Expressionism was too circuitous a manner of portraying art.

Abstruse Expressionism was considered too personal and expressive of the artist'south emotional state and inner world, and the literal awarding of brushwork depicted their inner state. Examples of this style of art can exist found when looking at artists like Jackson Pollock, Franz Kline, and Willem de Kooning, who were the forerunners of Abstract Expressionism during the 1940s and 1950s.

A younger grouping of artists led the Minimalist Fine art move. They turned away from the somewhat busy self-expressive nature of Abstract Expressionism past intentionally "including" less in their fine art, thus creating a more minimalist abstract art slice. The famous proverb that "less is more" describes Minimalism fine art – whether more than or less, however, at that place is certainly a lot more to this art move.

Words that all-time draw minimalist ideas are reductionist, simplicity, clean, smooth, and near anything that conveys the fundamental aspects of an art slice.

Frank Stella is a well-known creative person, printmaker, and sculptor, he is known as one of the forerunners of the Minimalism Art movement. Afterwards graduating from Princeton University, Stella moved to New York Metropolis in 1958. He was involved in Abstract Expressionism, just was at odds with the subjective and metaphorical aspects of it. Stella worked as a house painter in his 20s and started using the pigment and brushes to create his minimalistic art.

He believed minimalist painting was "a flat surface with paint on it – nothing more", which depicted the literal color and shape on the surface without any other "subconscious" pregnant or symbolism seen in artworks from preceding fine art movements. His series called Black Paintings (1959) depicts this idea: It consists of a canvas with lines or bands of blackness paint beyond information technology in different patterns, with the white groundwork from the canvass similarly depicted every bit lines or bands between the black.

Frank Stella was inspired by the works of other minimalist artists like Jasper Johns and Barnett Newman, whose artworks appeared flatter in its spaces. Donald Judd, another artist from the Minimalism Art move, published an article titled Specific Objects in 1965. Forth with Judd, other artists published various articles, for example, Robert Morris, who wrote Notes on Sculptures in 1966 and Sol LeWitt, who wrote Paragraphs on Conceptual Art in 1967.

The higher up-mentioned publications all sought to describe the style and nature of Minimalism and how to make minimalist art, from aesthetics and form, how a specific work of art is interpreted based on the conditions and context, and how the procedure of ideation and conceptualization is but as important as artful appeal.

The Foundations of Minimalism Art

Although Minimalism became a dominant fine art move in America during the 1960s, its principles and characteristics can be plant in art movements and artworks from the 1900s, with other sources linking information technology to the Incoherents fine art exhibition in Paris in 1882. The exhibition displayed a painting past French poet and playwright, Paul Billhaud, entitledCombat de Nègres dans un Tunnel ('Negroes Fight in a Tunnel', 1884), appearing completely blackness in color and composition.

Similarly, Kazimir Malevich'south painting titled Black Square from 1915 likewise hints to early minimalist painting ideas, equally it is literally a black square on a white background.Blackness Square was the first addition to a series of four dissimilar adaptations done past Malevich. About his specific work of fine art, Black Square, Malevich stated that "it is from zero, in nil, that the truthful motion of existence begins", shifting completely to the fundamental nature inherent in creating a piece of work of art.

Blackness Square (1915) by Kazimir Malevich; Kazimir Malevich, Public domain, via Wikimedia Eatables

Other art movements like Bauhaus and De Stijl influenced minimalist artists, especially when works from these art movements were exhibited in New York. The Bauhaus movement originated in Germany in 1919. As an art school, it explored various minimalist painting ideas, crafts, design, and later architecture, focusing on ideas of functionality versus aesthetics.

The Dutch De Stijl art motility, which originated in the netherlands in 1917, focused on the fundamentals of creating art by sticking to primary colors, including only blacks and whites. Additionally, artists primarily used the most foundational shapes and forms on horizontal and vertical planes.

Important Concepts in Minimalist Art

One of the near important characteristics of Minimalist art is that it is a defection confronting the expressive and abstract nature of expressionist art, some fifty-fifty refer to it as rebellious in nature as it aims to completely convey the most simple and fundamental meanings of colors and shapes, in other words, it does non intend to make any other significant other than just what is seen with the heart – there is no metaphor or college meaning to the fine art or design.

Objective versus Subjective

The objective nature of art is brought to life versus the subjective nature; the artist's personal interpretation takes a "dorsum seat", so to say, and the innate quality of the painting, shape, or form is the primary reason for being of Minimalist art. Words like "rejection" or "revolt" are clear identifiers of minimalist art, indicating its radical approach as one of the 20th-century art movements.

Monochromatic Colors

Another identifier of minimalist art is the use of color, adhering to monochromes and primary colour palettes. This makes the artwork more neutral in its approach and the color does not become more than what it is. In other words, the colors are not used to convey personal expression, merely to convey impact and the work as it is.

The Gathering Anguish Strikes Below…(1982-1983) by John Francis Murphy;John Francis Murphy, Public domain, via Wikimedia Commons

Geometric Shapes and Forms

Minimalism art is defined past geometric shapes, whether it is painted on a sheet or a slice of sculpture. Forms are oftentimes abstracted and not always aesthetically pleasing or sensical, but this all contributes to minimalism and how it moves away from the more traditional manner of making fine art and sculpture, which oftentimes tells a story, or as some would refer to it, a narrative.

Here, however, the form or shape does non aim to tell a tale and information technology is up to the viewer to make up one's mind the tale.

Commercial Materials versus Artistic Materials

Often, minimalistic fine art would be created with plain commercial paints, brushes, and various other industrial materials. This farther elaborates on the tenets of Minimalism as non personal or expressive, but "what you lot see is what you lot see", as Frank Stella so aptly stated about his fine art, and ultimately, the Minimalism Art motility itself.

Minimalist Art Representation in Styles and Media

Minimalist Art is represented in unlike styles, ranging from visual art, sculpture, interior blueprint, installations, and compages. Beneath, nosotros discuss how this art motility presents itself in these modalities, including mention of prominent artists involved.

Visual Art

Visual fine art, or painting, has gone through hundreds of years of representation, but when it comes to Minimalism paintings, yous will find a world of flat two-dimensionality and geometric shapes, as if a three-dimensional object has been flattened onto the canvas. Oftentimes, these paintings are simple in their color schemes, just they create the illusion of depth and space, which in turn creates a whole new representation of art. You would want to assume there is pregnant to the composition, but this would come up entirely from your ain preconceived ideas of fine art.

Ironically, although minimalist art was a rebellious response to Abstract Expressionism, many artists were involved, and drew on, inspiration from various artists' paintings from Abstruse Expressionism. An exampleof such a minimalist creative person is Barnett Newman, who created compositions with color applied in a flat manner. Similarly, his brushwork did not follow the same patterns seen in many abstract paintings of the time.

Newman was too one of the forerunners in Color Field painting during the 1940s and 1950s in New York. This approach used color in a different manner, applying paint in larger, unbroken patterns or shapes instead of emotive brushstrokes informing the work. Minimalist artists like Frank Stella besides drew on the proponents from the Color Field Move, as the movements overlapped closely during that era.

Wasko, Man in the Nighttime (to Barnett Newman)(1988) past Ryszard Wasko;Ryszard Wasko, CC Past-SA 3.0, via Wikimedia Eatables

Sculpture

Minimalist sculpture is a large office of this movement, and the three-dimensionality of the objects are good examples of what this move is all about. Primary characteristics of this is that objects are simple and completely fundamental in their shapes. For example, a cube is a cube, and minimalist artists sought to depict the object purely as the object was, and not requite it any other significant. Additionally, the artists played with the notion of how the onlooker would view the object in terms of its parts and how these make up the whole.

When you look at the example of the cube, the quote by minimalist Sol LeWitt comes to mind from i of his writings, where he said, "the most interesting characteristic of the cube is that it is relatively uninteresting". Furthermore, a minimalist sculpture is an object that is independent of the artists that create information technology; in other words, it can stand solitary and does not need the artist to requite it significant.

Minimalist objects come in different shapes and sizes, and a vast array of materials are used to create these. Artists often made use of plastics, metals similar aluminium, woods like plywood, fiberglass, and even concrete, among others. Sculpture does non become sentimental and using materials that are widely available contributes to this fact.

However, there is one relationship that stands out in Minimalist Sculpture, and that is its relationship with the space information technology occupies. Some sources state that minimalist sculptures would often be on the floor or stand in the way. Thus, every bit impersonal every bit minimalist art is, at that place is a hint of intentional placing by some artists, and peradventure this is simply to make a statement and nothing more? There is as well interactivity, with some pieces made to be moved into different arrangements.

Untitled concrete sculpture (1984) past Donald Judd at the Chinati Foundation;Photo:Emanue3Sculpture: Donald Judd, Public domain, via Wikimedia Commons

We will notice this in examples from Carl Andre'due south Lever (1966), which is a line of 137 firebricks all squarely placed next to each other and seemingly attached to the one side of the wall. Robert Morris'Mirrored Cubes (1965) is another case of minimalist sculpture that occupies a space and allows the viewer to interact with it. Morris' four cubes are placed equidistant from one some other with enough room for viewers to walk through them and around them, and undoubtedly the reflections created by the mirrors adds to the outcome.

This indicates again that minimalist art is simply a set of shapes, materials, colors, and textures with no inherent meaning other than what it is in the space it occupies. When the viewer interacts with it, it is then questionable as to whether or not pregnant is created.

Interior Blueprint

Following from the above, minimalist art and sculpture becomes a office of the infinite it is in. Thus, information technology tin enhance a space using this quality within the realm of interior design. Depending on the shape and size of the work of art, or, as information technology also referred to, the object, it can fit most anywhere in a room, lounge, or role – whether it is on the floor, on or against the wall, placed in a corner, or even on the fridge.

Because minimalist art is versatile and follows simplicity of form and colour, it can add together to the ambient of a infinite, making it either tranquil or more edgy, depending on the use of colors and shapes. By and large, minimalist sculptures have clear, make clean, and shine lines, edges, and textures, which can equally complement other works of art in an interior space.

Installations

Installations in minimalist art tin can exist seen primarily in the grade of light installations, where artists play with how light affects the space it is in. Using fluorescent light tubes, artists would place emphasis on the calorie-free more than the tube itself to create an bear upon. Artist Dan Flavin used this technique in his series titledIcons in 1961, composed of shallow boxes with fluorescent lite tubes along the sides and edges.

This is as well seen in many of his other installations where he uses space to inform where and how his installation will fit. Flavin discusses his light installations in a documentary titled American Fine art in the 1960s, he says, "though the installation must look very stable, it'due south easily understood with a slight confounding paradox, equally the lamps operate out of the corners and with the corners".

Untitled (to Don Judd, colorist) 1-5(1987) by Dan Flavin;K Parc – Bordeaux, France from France, CC BY 2.0, via Wikimedia Commons

Architecture

Minimalism likewise applies to compages, and as previously stated, was influenced past movements like De Stijl, which focused on using straight vertical and horizontal lines which were as simple every bit possible in grade and shape, whether this was painting or architecture. Thus, minimalist fine art follows the ideas we see from De Stijl, among others. Minimalist architecture seeks to exclude all elements on a building that seem "actress", and remain purely with only the essential elements that make the construction and requite it its quality.

Minimalist architecture volition oftentimes appear geometric in its shapes without decorations. Additionally, there volition be a lot of repetition of shapes or forms, which is frequently referred to every bit "seriality". This simply ways placing the elements of an artwork or object in a series, where the primary aim for this is to convey simplicity.

This leads to a major influence of minimal compages: the Japanese civilisation. Minimalism architecture has drawn on many of the notions that you volition notice in Japanese ideologies, which comes from concepts like harmony, dazzler, and stillness. These are all practical in structures and aesthetics leading to the bare minimum, simply purposefully so. German builder Ludwig Mies van der Rohe coined the term "Less is More" while describing the way in which he creates his compages. He used only the essential aspects of a edifice, which in turn achieved functional and visual purpose.

Burn escape stairs in Copenhagen, Denmark (1954-1955) by architext Arne Jacobsen;seier+seier, CC Past two.0, via Wikimedia Commons

Famous Minimalist Artists

There is a wealth of Minimalist artists, each unique in how they portrayed and placed their paintings, sculptures, and "objects" in the earth. Below, nosotros hash out only a few prominent artists who paved the way for Minimalism as an fine art movement. These artists are not but well-known for their minimalist abstruse art, but also their contribution of radical new ideas and theories to art moving frontward into the 21st Century.

Donald Judd (1928-1994)

Donald Judd was an American artist, art critic, and theorist. After serving in the army, he studied at numerous universities from 1948, receiving a bachelor's degree in Philosophy and continuing his theoretical studies through a Main's in Art History. Judd was a fervent believer that art needs to be contained of the artist, and the artwork's interaction with its concrete infinite or environs was a primal characteristic of his work and philosophy.

Judd used industrial materials to make his fine art, for example, steel, Plexiglass, plastic, and fe. The combination of these materials created an impersonal feel of the artwork. This was too very different to the personal experience seen in Abstract Expressionism. Ironically, Judd did non consider himself a Minimalist, but instead pursued the importance of objects placed in their environment and how the surroundings itself informed the object.

Some of Judd'southward artworks include his early piece titled Untitled (1968), which is an aluminium rectangle with brown enamel covering it and giving it its color. Although Judd created paintings, he was more drawn to sculpture, believing that space was more important than the infinite created on a sheet with paint. Judd's other Untitled (1972) piece is another box-like shape made from copper with the inside colored completely red. Placed on a wooden floor, the coldness of the metal is changed to something more inviting and warm due to the reflection from the wood.

In Judd's Untitled (1973) he created a series of six boxes, made from Plexiglass and brass, arranged next to 1 some other horizontally, and equidistant from the other. The series placing of shapes next to i another is a recurring theme in Judd'south pieces, and emphasizes his intention to create a certain movement from the coaction of the shapes, materials, and their colors.

Untitled (DJ 85-51)(1985), painted aluminum sculpture by Donald Judd; Wmpearl, CC0, via Wikimedia Commons

Judd referred to his pieces every bit "specific objects" – in fact, his essay, similarly titled, sought to describe the nature of how to make minimalist art and how objects be between the modalities of painting and sculpture, seemingly overlapping in their utilization. The term "specific objects" points to an object that is not referred to every bit a sculpture or painting, only merely an "object" created with a specific shape, alignment, and placement.

This shift in nomenclature is pioneering and a articulate statement away from traditional concepts of naming artworks.

Sol LeWitt (1928-2007)

Sol LeWitt was born in America and studied a Bachelor of Fine Arts at Syracuse University in 1949. Additionally, his travels to Europe allowed him to feel the rich history of art and artists from centuries ago. Afterward he served in the war, he opened his ain art studio in 1953 in New York while studying at the School of Visual Arts. His education and career have predominantly been in the art infinite, ranging from clerking at the Museum of Modernistic Fine art (MOMA) to working as a graphic designer for I.M. Pei, a well-known architect.

LeWitt has been a notable artist not only in the Minimalist fine art motility, only too in Conceptual Art. Although he is known for his paintings, his sculptures and installations have dominated the art space, literally and figuratively. His structures vary in size and shape, although his influence comes from the shape of a cube, which is easily noticed when viewing his works.

LeWitt's Wall Construction Blueish (1962) depicts a small foursquare within a larger square, which is as well the shape of the canvas. Using oil painting for this piece of work, LeWitt does not overindulge in colors and keeps the form as simple as possible. This piece of work is considered a play on traditional works of fine art and the idea of convention, farther emphasized by the red bulls-centre in the center of the square.

Standing Open Structure Blackness (1964) is a structural example from LeWitt's earlier installations. It hints at the bare minimum on a piece of artwork, simply showing the framework, or as it is popularly referred to, the "skeleton". Nosotros notice the recurring theme of the cube shape within this skeletal structure, every bit well as the fact that his piece is reminiscent of a man-sized shape, being 96 inches in top.

LeWitt would often utilise steel or aluminium, but too used cinder and physical to create other installations. An example of this includes his work titledCube from 1985, made of cement in the park of Basel, Switzerland. LeWitt believed in the process of the idea of a piece of fine art, and explored the connexion betwixt the idea of an artwork and how it related to the artist. More than than this, he believed that the thought was ane of the primary parts of an artwork.

Sol LeWitt'sFour-Sided Pyramid(1965) at the National Gallery of Art sculpture garden; David from Washington, DC, CC BY 2.0, via Wikimedia Commons

Robert Morris (1931-2018)

Robert Morris was born in Kansas, but lived nigh of his life in New York. He was a multi-platform minimalist creative person and considered a key minimalist theorist. He specialized in sculpture, conceptual fine art, installations, and various other forms of art like Land art and Process fine art. Morris' pedagogy ranged from having studied Engineering, Fine art, and Philosophy at unlike universities in Kansas and Oregon.

Morris' sculptures explored simple geometric shapes on a large scale, such every bit cubes and different rectangular forms. The viewer became a part of the process in terms of how they interacted with the artwork, especially when walking around a big piece. Robert Morris wrote an essay in 1966 titled Notes on Sculpture, which explores the above-mentioned process of viewing and interacting with a structure, and how information technology is "intuitively" interpreted past the viewer.

Labyrinth (1999) by Robert Morris;Adrián Estévez (Estevoaei), CC BY-SA 4.0, via Wikimedia Commons

Box with the Sound of Its Own Making (1961) is a wooden cube, or box, with a recording of the sounds of how information technology was fabricated: The recording lasts for 3-and-a-half hours. This detail piece illustrates and demonstrates the simplicity and fundamental nature of a piece of artwork, coupled with the procedure of how it was made.

Another piece past Morris is his Untitled (50-Beams) of 1965, which consists of three L-shaped structures similar in size and arranged in different positions. The three structures are apparently and simple in the fabric and shape, with no particular meaning other than just beingness three wooden pieces arranged aslope 1 another, and are thus exemplary of the nature of minimalist fine art and the relationship betwixt artist and artwork.

Dan Flavin (1933-1996)

Born in Jamaica, New York, Dan Flavin grew up attending Catholic Schools and would proceed to serve in the United States Air Force with his blood brother during 1954 to 1955. During this time, he studied art at the Maryland Academy in Korea, and connected to study art at the Hans Hofmann Schoolhouse of Fine Arts in New York in 1956. He also studied fine art history at the New School for Social Inquiry and Fine Fine art (painting and drawing) at Columbia University.

Flavin was also influenced past the ideas of Abstract Expressionism, and he explored the use of different media, often using cans from the street to include in his collages. Flavin is well-known for his installations, specifically using fluorescent and incandescent light bulbs. His Icons series depicts eight foursquare shapes, which he made from dissimilar types of wood with light bulbs along the sides.

Other key works include his Diagonal of Personal Ecstasy (The Diagonal of May 25, 1963), which depicts a yellow fluorescent lite tube almost extending from the flooring at a diagonal angle onto the wall, seemingly growing like a vine, but in this case, it is a light. This work was in award of Constantin Brâncuşi, a Romanian painter and sculptor and precursor of modern sculpture.

Flavin's light installations explore the interrelationship with space, color, and light, and he used this interplay of media in different locations in a gallery space, including assembling unlike shapes. Other examples of this include his Greens Crossing Greens (1966), portraying an assemblage, or as Flavin used to refer to it, a "barrier", of fluorescent tubes that appear every bit large greenish fences intersecting one some other.

Fine art installation by Dan Flavin, Untitled(1980); Kmtextor, CC By-SA 4.0, via Wikimedia Commons

Carl Andre (1935 to Present)

Carl Andre is an American sculptor and creative person. He studied at the Phillips Academy in Andover and subsequently serving in the army, he relocated to New York in 1956. He is well-known for his sculptures that appear filigree-like and linear in construction. His geometric patterns are usually created to exist on the floor, becoming the artwork's platform or plinth, and entices viewers to engage with the work in a different style than the more traditional way of looking at a painting or walking effectually a construction.

Andre refers to himself as a "matterist" because of his broad employ of different matter and his exploration of the essence of each type of matter he uses, ranging between bricks, plates, ingots, and various industrial-based materials. The method Andre uses to create his structures is more like the process of construction, and he creates these structures according to the environs they are in, which, in turn, informs its size and shape.

Carl Andre's sculpture,43 Roaring twoscore (1968) at KMM in Otterlo/Holland;Gerardus, Public domain, via Wikimedia Commons

Frank Stella (1936 to Present)

Frank Stella is an American artist specializing in painting, printmaking, and sculpting. He graduated from Princeton University with a major in History. He is well known for his interest in Minimalism, merely has too been a office of the Postal service-Painterly Brainchild exhibit past Clement Greenberg, which emphasized more open and clear surfaces equally opposed to the seemingly congested surfaces characteristic of the Abstract Expressionist motion.

Although influenced past Abstract Expressionists like Jasper Johns and Barnett Newman, when he moved to New York in 1958, Stella's abstract artworks did not have the same metaphorical and metaphysical undertones that many Abstruse Expressionists imbued in their works. Some of his key artworks take been his Black Paintings (1959) series, for case, Die Fahne Hoch! (1959), which means "The Raised Banner".

During the 1960s, Stella introduced more colors to his palette, also as a play on different curves and shapes of canvases. He started using copper and aluminium pigment and used canvases in other shapes like U or Fifty-shapes. An case of this is his Irregular Polygon and Protractor series, which was inspired by the circular cities in the Middle E where he visited.

Frank Stella'south blossom-shaped steel sculpture,Amabil(1995), located exterior the POSCO Middle in Seoul, South korea; Ian Muttoo from Mississauga, Canada, CC By-SA 2.0, via Wikimedia Eatables

Minimalist Art Beyond the 20th Century

Mail-Minimalism emerged in the late 1960s and early 1970s, and the term was introduced past art critic and historian Robert Pincus-Witten. As much as it was a reaction towards some of the tenets of Minimalism, it did incorporate elements and influences from the move. Artists created diverse works of art, some with a more intentional emphasis on the traditional, expressive nature of art, and some completely impersonal in their material representation.

Equally everything comes to an cease, so did the Minimalist Art move during the later stages of the 1960s. Many artists continued to evolve forth their unique artist's journeys and did not prescribe to remaining within a item art movement. Even so, this did not cease what minimalism in fine art meant, and ultimately information technology created new foundations and a springboard for fine art and artists going into the 21st Century, reaching many other art forms including music, literature, and pic.

Have a wait at our Minimalism Art webstory here!

Oftentimes Asked Questions

What Is Minimalist Fine art?

Minimalist Art, otherwise referred to as Minimalism, emerged every bit an art movement during the early 1960s into the early 1970s. It consisted of a group of younger artists, as well as older, primarily based in New York City. It came most equally a reaction to the more expressive, metaphysical nature of its precursor, Abstract Expressionism. Therefore, information technology is likewise referred to as minimalist abstract art due to many artists also being influenced by Abstract Expressionism.

What Is the Significant of Minimalism in Art?

Minimalism in art refers to the move abroad from traditional notions that art needs to mean something more than what information technology is. Viewers are encouraged to encounter the artwork for what it is and how it occupies a space. Frequently, minimalist artworks are created with simplicity and minimal shapes and lines, reducing the work to but its essential qualities.

What Qualities Ascertain Minimalist Fine art?

Characteristics of minimalist art focus more on utilizing monochromatic colors. These are usually but one or ii colors, including a dominant use of blacks and whites. Included are various geometric shapes like squares and rectangles placed alongside one another in repetitive sequences, which is known as seriality. Other qualities are the placing of "objects" on vertical and horizontal planes, often including the floor instead of plinths, and using industrial materials similar wood, metals, plastics, physical, equally well as lights.

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Source: https://artincontext.org/minimalist-art/

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